Empathy, Systems, and Post-Narrative Performance

"I curate performances as living systems—where bodies, technologies, and social structures are tested together to understand how power, empathy, and agency are being reorganized now."

Tomas Danielis is a curator and artist working across contemporary performance, dance, and intermedia art. His curatorial practice approaches artworks as a form of socio-philosophical research—exploring how subjectivity, technologies, and political systems shape empathy, power, and social agency today.

Working from a post-socialist and post-imperial vantage point, critically positioned against emerging forms of cultural, technological, and political imperialism, he curates projects that combine dance, embodied practices, lecture-performances, intermedia, and digital artworks. His curatorial work creates spaces for reflection, dialogue, and critical engagement with contemporary realities, from attention economies to emerging technological futures.